Wilson Pickett
1941 – 2006 (65)
He walked into a recording studio at Stax Records in the 1960s and opened his mouth, and the result was a sound so raw that the engineers had to check their levels to make sure nothing was broken. Wilson Pickett was born in Prattville, Alabama in 1941, raised singing gospel in the church, and carried that Pentecostal fire into every secular song he ever recorded. He was not a smooth singer by any standard.
He was a shouter, a screamer, a man who treated the microphone like something that needed to be conquered by sheer force of will. He sang with the Muscle Shoals rhythm section before they became famous.

The cost was being overshadowed by the Stax and Atlantic stablemates who had smoother crossover appeal. Pickett never achieved the mainstream success of Otis Redding or Aretha Franklin, but his catalog of singles is as strong as any of his contemporaries. He recorded at Stax in Memphis and at Fame Studios in Muscle Shoals, working with some of the greatest rhythm sections in American music. His sound was built on a foundation of gospel fervor and the tightest horn arrangements in soul music.

In the Midnight Hour is the one. Co-written with Eddie Floyd, the song is built around a guitar riff that every garage band learned in the first week of practice and still plays today. Pickett's vocal is not a performance in the traditional sense -- it is a physical event that leaves nothing on the stage. Land of 1000 Dances became a party standard that has never left the American songbook.

In the Midnight Hour (1965)

Mustang Sally is still played at every wedding that matters. Wilson Pickett was not the most polished singer of his era, but he was one of the most essential, and the fire he brought into the studio cannot be replicated.

Image Credits

1,414 artist portraits across 5 genres (Rock, Jazz, Soul, Blues, Folk). 1,363 sourced from Wikipedia (Creative Commons / Public Domain), 50 from Deezer (promotional artwork).

Full attribution breakdown →

Wilson Pickett

1941 – 2006 (65)
He walked into a recording studio at Stax Records in the 1960s and opened his mouth, and the result was a sound so raw that the engineers had to check their levels to make sure nothing was broken. Wilson Pickett was born in Prattville, Alabama in 1941, raised singing gospel in the church, and carried that Pentecostal fire into every secular song he ever recorded. He was not a smooth singer by any standard.
He was a shouter, a screamer, a man who treated the microphone like something that needed to be conquered by sheer force of will. He sang with the Muscle Shoals rhythm section before they became famous.

The cost was being overshadowed by the Stax and Atlantic stablemates who had smoother crossover appeal. Pickett never achieved the mainstream success of Otis Redding or Aretha Franklin, but his catalog of singles is as strong as any of his contemporaries. He recorded at Stax in Memphis and at Fame Studios in Muscle Shoals, working with some of the greatest rhythm sections in American music. His sound was built on a foundation of gospel fervor and the tightest horn arrangements in soul music.

In the Midnight Hour is the one. Co-written with Eddie Floyd, the song is built around a guitar riff that every garage band learned in the first week of practice and still plays today. Pickett's vocal is not a performance in the traditional sense -- it is a physical event that leaves nothing on the stage. Land of 1000 Dances became a party standard that has never left the American songbook.

In the Midnight Hour (1965)

Mustang Sally is still played at every wedding that matters. Wilson Pickett was not the most polished singer of his era, but he was one of the most essential, and the fire he brought into the studio cannot be replicated.

In the Midnight Hour (1965) In the Midnight Hour (1965)
The Exciting Wilson Pickett (1966) The Exciting Wilson Pickett (1966)
The Sound of Wilson Pickett (1967) The Sound of Wilson Pickett (1967)
It’s Too Late (1963)
In the Midnight Hour (1965)
The Exciting Wilson Pickett (1966)
The Sound of Wilson Pickett (1967)
The Wicked Pickett (1967)
I’m in Love (1968)
The Midnight Mover (1968)
Hey Jude (1969)
In Philadelphia (1970)
Right On (1970)
Don’t Knock My Love (1971)
Miz Lena’s Boy (1973)
Mr. Magic Man (1973)
Pickett in the Pocket (1974)
Join Me and Let’s Be Free (1975)
Chocolate Mountain (1976)
If You Need Me (1976)
A Funky Situation (1978)
I Want You (1979)
Right Track (1981)
American Soul Man (1987)
The Very Best of Wilson Pickett (1993)
It’s Harder Now (1999)
Baby Call on Me (2004)
Land of 1000 Dances (2018)
souldeep soulr&b
The Sunday Drop
One song. One story. Every Sunday.

No algorithms. No trending sections. Just a song someone loved and the story behind it. Delivered Sunday morning.

Free. No spam. Unsubscribe anytime.

Image Credits

1,414 artist portraits across 5 genres (Rock, Jazz, Soul, Blues, Folk). 1,363 sourced from Wikipedia (Creative Commons / Public Domain), 50 from Deezer (promotional artwork).

Full attribution breakdown →

0:00
0:00
The Sunday Drop One song. One story. Every Sunday.