The Commodores
1968 –
They walked out of Tuskegee Institute in the late 1960s as a college party band playing fraternity houses and became one of the most versatile groups in popular music. The Commodores started as a six-piece band featuring Lionel Richie on saxophone and vocals, Milan Williams on keyboards, Ronald LaPread on bass, Thomas McClary on guitar, Walter Orange on drums, and William King on trumpet. They developed a tight rhythm section and a horn section that could handle funk, soul, pop, and ballads without ever sounding like they were forcing any of those genres.
They signed with Motown in 1972 as the opening act for the Jackson 5, learning from one of the most polished live acts in music history while they developed their own sound on the road.

The cost was Richie's departure as his solo career grew beyond the band's reach. Richie had written the ballads that made the band famous -- Easy, Three Times a Lady, Still -- and those songs became standards that crossed over to pop audiences the band had never reached before. As his solo career exploded with Truly and All Night Long, the band became secondary in the public imagination even though they continued recording. The remaining members kept touring and releasing albums through the 1980s, but the creative chemistry that had defined their 1970s peak never fully returned after losing their primary songwriter and frontman.

Brick House is the one. Built around a bassline that every funk band since has attempted to replicate, the song remains one of the most sampled grooves in hip-hop history, used by Dr. Dre, De La Soul, and dozens of other artists across decades of music. Machine Gun, their instrumental opener, became another staple for breakers and producers looking for the perfect breakbeat.

Commodores (1977)

Easy became a standard covered by dozens of artists across multiple genres including country and jazz. Three Times a Lady showed the softer ballad side and went to number one on the Billboard Hot 100. The Commodores proved that a Black band from a small college in Alabama could master funk, soul, pop, and ballads without losing their identity in any of them, and their catalog has outlasted most of their contemporaries.

Image Credits

1,414 artist portraits across 5 genres (Rock, Jazz, Soul, Blues, Folk). 1,363 sourced from Wikipedia (Creative Commons / Public Domain), 50 from Deezer (promotional artwork).

Full attribution breakdown →

The Commodores

1968 –
They walked out of Tuskegee Institute in the late 1960s as a college party band playing fraternity houses and became one of the most versatile groups in popular music. The Commodores started as a six-piece band featuring Lionel Richie on saxophone and vocals, Milan Williams on keyboards, Ronald LaPread on bass, Thomas McClary on guitar, Walter Orange on drums, and William King on trumpet. They developed a tight rhythm section and a horn section that could handle funk, soul, pop, and ballads without ever sounding like they were forcing any of those genres.
They signed with Motown in 1972 as the opening act for the Jackson 5, learning from one of the most polished live acts in music history while they developed their own sound on the road.

The cost was Richie's departure as his solo career grew beyond the band's reach. Richie had written the ballads that made the band famous -- Easy, Three Times a Lady, Still -- and those songs became standards that crossed over to pop audiences the band had never reached before. As his solo career exploded with Truly and All Night Long, the band became secondary in the public imagination even though they continued recording. The remaining members kept touring and releasing albums through the 1980s, but the creative chemistry that had defined their 1970s peak never fully returned after losing their primary songwriter and frontman.

Brick House is the one. Built around a bassline that every funk band since has attempted to replicate, the song remains one of the most sampled grooves in hip-hop history, used by Dr. Dre, De La Soul, and dozens of other artists across decades of music. Machine Gun, their instrumental opener, became another staple for breakers and producers looking for the perfect breakbeat.

Commodores (1977)

Easy became a standard covered by dozens of artists across multiple genres including country and jazz. Three Times a Lady showed the softer ballad side and went to number one on the Billboard Hot 100. The Commodores proved that a Black band from a small college in Alabama could master funk, soul, pop, and ballads without losing their identity in any of them, and their catalog has outlasted most of their contemporaries.

Commodores (1977) Commodores (1977)
Natural High (1978) Natural High (1978)
Midnight Magic (1979) Midnight Magic (1979)
Commodores (1977)
Natural High (1978)
Midnight Magic (1979)
funksoulr&bpop
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Image Credits

1,414 artist portraits across 5 genres (Rock, Jazz, Soul, Blues, Folk). 1,363 sourced from Wikipedia (Creative Commons / Public Domain), 50 from Deezer (promotional artwork).

Full attribution breakdown →

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